Remote · Multi-camera · Live
A control room that fits in a browser tab.
SeeMe turns phones, drones and existing feeds into a multi-camera broadcast. The director cuts from a browser. The crew shoots from wherever they are. Nobody rents a truck.
Launching September · Taking a small number of launch users
Click a source to arm it · 1–6 arm · T take
The gap
Live production has two options.
Both of them are wrong.
The truck
Broadcast-grade multi-camera means an OB truck, a hardware switcher, SDI cabling and a crew. $100K to $1M a production. Fine, if you have a budget and a loading dock.
The phone
One camera, one platform, one angle. No director, nobody in your ear, no control over the show and no ownership of the audience. Fine, if nobody is watching.
Independent newsrooms, artists, local sport, worship and education are forced to choose between unaffordable and unwatchable. Nothing in the middle is portable, remote, multi-camera and platform-independent at the same time. SeeMe is that missing thing.
The signal chain
Three stages, one browser tab.
Capture
iPhones, drones, action cameras, OBS, any RTMP feed. Dual camera per device. Operators join by scanning a code, from anywhere with a signal.
Direct
Multiview, tally, preview and programme, one-key take. Per-source health and bitrate. Full-duplex talkback to the crew, on the same low-latency path as the video.
Distribute
YouTube and any RTMP destination. The programme, and optionally every source as its own ISO file, recorded to the project vault while you are still on air.
Cleared before it airs
The rights work happens during the show, not three weeks after it.
Everyone else treats clearance as paperwork that arrives once the footage is already sitting on a drive. SeeMe puts it in the signal path, where it can actually stop something going out.
- Every operator gives consent at the moment they start publishing, and can withdraw it by leaving.
- A drone cannot be admitted to a public-space shoot until someone confirms the legal basis for filming there.
- Revenue splits are agreed before you go live, not reconstructed from memory afterwards.
- A readiness check stands between the green room and the air.
Who it's for
Anyone who needs a second camera and cannot rent a truck.
Independent newsrooms
A remote anchor desk plus field cameras, cut by a producer from anywhere, published to your own site and your socials.
Musicians and live sessions
Multi-camera sessions and concerts directed remotely, with the splits between players agreed before the first note.
Local sport
Phones around the pitch, a remote director cutting the game, streamed to the league site. A match for the price of a few handsets.
Worship and education
Weekly services, lectures and conferences, produced properly by the people already in the room.
Status
Built. In test production. Launching September.
This is not a waiting list for an idea. Here is what is running right now.
- Browser control room with programme and preview, take, tally and per-source health
- iOS operator app with dual-camera publishing and QR session pairing
- Drone, action-cam, OBS and external RTMP ingest
- Consent capture per operator, at the point of publishing
- Legal-basis gate on uncontrolled public capture
- Royalty splits set before air
- Programme-only or programme-plus-ISO recording to the project vault
- Live egress to YouTube and any RTMP destination
Early access
We are taking a small number of launch users.
Tell us what you make and how many cameras you need. If it is a fit, we will get you into a session before launch.
No newsletter. We will only write to you about getting you on air.